SINGLE-CHANNEL VIDEOS
 |
|
2006
movement in architecture
3.5 min
A conversation with Maarten Struijs, architect of Purifying Plant/Smoke
Cleaner in Rotterdam, the Netherlands.
The building was designed by Struijs with an awareness of the
sun moving across it over the course of the day. He wanted the
public to be able to experience a piece of architecture as though
it was a form of nature: constantly in movement. The video uses
several time-lapse processes [Super-8, video, still photography]
to visual his poetic architectural vision. |
 |
|
2005
Localiteit en Identiteit 40
min.
Experimental documentary which includes interviews
with 25 local Rotterdam architects, politicians and academics
to a create a portrait of the past, present and future identity
of the city. It was first shown onboard a bus which toured locally
designed Rotterdam architecture as part of the launch event for
beingthere.v2.r'dam.05. |
 |
|
2005
MOVEMENT 1 min.
Timelapse of Purifying Plant/Smoke Cleaner
in Rotterdam, the Netherlands.
Sound by Coparck [check
them out HERE,
they're superb!]
|
 |
|
2002
watching 4 min.
This video looks at how terror is affecting us on an unconscious
level since 9.11. Footage shot on 9.9.01 from the World Trade
Center [my studio in Tower One as part of a LMCC art residency]
is manipulated to simulate surveillance in order to create a
pseudo-narrative from the position of the security personnel.
The viewer witnesses an over-tired security person suffer from
post-traumatic stress disorder when the present collides with
the past, as the repetition and boredom of watching creates
a space for the unconscious of the ‘watcher’ to
erupt: he/she seems to ‘experience’ multiplying
subliminal flashbacks of Tower Two [along with sound from television
coverage on 9.11]. Originally conceived before 9.11 as a response
to the security focus at WTC, the video now has also become
an acknowledgment of the WTC security personnel, as well as
all those that the event still exists for within their unconscious.
A
powerful variation on what may already be a genre: the security
camera film. The film was made from a studio in the former World
Trade Center in New York. Brown divides her image strictly into
four, which is briefly interrupted by what looks like a technical
fault.-International
Film Festival Rotterdam 2004 catalogue
|
|
|
|
2000
30 seconds of banality
July
in Northern Ireland is a month devoted to Protestant rituals.
On July 11, there are huge bonfires which symbolize the
burning of Catholic people. The video is a before and after
'commercial'. One of many projects realized during a 5 month
residency.
|
 |
|
2000
of moving time 6 min.
Interiors and exteriors are used metaphorically to describe our
process of time. Video manipulation (pause, fast-forward, re-wind)
is used as a way to describe the internal/psychological/non-linear.
Originally created as a reference to our focus on time during
the Millennium. |
 |
|
1999
excerpt 3 min.
excerpt is a fragment of a story, and a metaphor for
communication itself sometimes being fragmented...
Shot
on Super-8, edited digitally.
|
SITE-RESPONSIVE VIDEOS (others can
be seen HERE)
 |
|
2002
general description 2 min. loop
This work centers on notions of looking in relation to public/private
space, referring to how surveillance has heightened our consciousness
of being in public and shifted our sense of what is private. Using
imagery taken through the window of my guest studio in the Netherlands
of the opposite building, it simultaneously describes the physical
and the psychological; how looking can become an act of voyeurism
and therefore inherently sexualized. The voiceover underlines
this sexuality through the entwined male and female voices as
it points to the banality of what is actually being seen. |
SCREENINGS
and EXHIBITIONS
2007
Architectuur
Film Festival Rotterdam Localiteit
en Identiteit
Shown in installation format on flatscreen during festival
2006
Image Forum Festival, Tokyo videoDictionary:
Movement
PARANOIA
exhibition will include watching for the first time in installation
format
and will travel to the following spaces:
Leeds City Art Gallery Leeds, UK July/August
Focal Point Gallery Southend, UK October/November
Freud Museum London, UK January/February 2007
2005
MOVEMENT
as
part of the
Video Dictionary
2004
Exit Art, NYC watching
in TerrorVision exhibition
International
Film Festival Rotterdam Rotterdam, the Netherlands watching
in Homefront USA program
Biennial Bucharest Identities
and Visual Codes:Violence of Images/Images of Violence Bucharest,
Romania watching
2003
Next 5 Minutes International Festival of
Tactical Media Library Amsterdam, the Netherlands watching
http://www.n5m.org/n5m4/medialibrary/section.php?sec=surveillance
2002
Artist Space of moving time in the Taking
me From Nowhere,
to Nowhere program NYC,
New York
TENT. Rotterdam, the Netherlands general description
2001
P.S. 1/Clocktower Gallery, NYC Lecture Lounge COPS Rewound
[made for lecture/exhibition only]
Medi@terra_01 Festival~Fournos Centre for Art & New Tech
Greece of moving time
http://www.mikromuseum.org/beta/submissions/videoArchive/index.htm
White Box Gallery, NYC COPS Rewound in The Scene
of the Crime by Sally Gurtierrez
Santa Fe Art Institute Santa Fe, New Mexico
2000
Greenwich Film Festival/APT Gallery, London, UK of moving time
and going someplace...
291 Gallery, London UK of moving time in Church
of the Living Cinema
Darklight Digital Film Festival Dublin, Ireland of moving
time and going someplace...
The College Art Gallery of New Jersey of moving time and
going someplace...in Black Box Video Shorts(+)
Digital Video Wall at Rockerfeller Center NYC excerpt
1999
The Kitchen NYC tv is a window in Television Delivers
Us (to ourselves) program
program
Catalyst Arts Belfast, N. Ireland a forest of forgotten
words
The Knitting Factory NYC tv is a window and excerpt
in audio/visual program
Overheard/Oversite NYC excerpt screened on rooftop curated
by Emilie Clark /Sarah Pierce
Video at Void NYC :
tv is a window in Art And Leisure
program
|